Part 1 of On Friendship / (Collateral Damage)
Our lawyer B.A. Vink called upon Beatrix Ruf (director of the Stedelijk Museum) to account for 'the empty page' (lack of Jewish context) in art history on behalf of the art world. The accompanying information provided by the museum gives less attention to the Jewish narrative. Such as the information provided about the artwork of Kazimir Malevich (The Black Square) and Barnett Newman. As a result of our project, the Stedelijk Museum Amsterdam adapted our information to the hall text of Newman's Cathedra, and by that The black square cannot view only through the lens of the Futuristic Manifesto and Christian tradition, but also through the Jewish layers of meaning.
Our lawyer B.A. Vink called upon Beatrix Ruf (director of the Stedelijk Museum) to account for 'the empty page' (lack of Jewish context) in art history on behalf of the art world. The accompanying information provided by the museum gives less attention to the Jewish narrative. Such as the information provided about the artwork of Kazimir Malevich (The Black Square) and Barnett Newman. As a result of our project, the Stedelijk Museum Amsterdam adapted our information to the hall text of Newman's Cathedra, and by that The black square cannot view only through the lens of the Futuristic Manifesto and Christian tradition, but also through the Jewish layers of meaning.
Part 1 of On Friendship / (Collateral Damage)